“When you think of Tarkovsky's cinema, especially Mirror, you see how an image isn't just created, but is linked to a history of representation, a history of forms, of images, of icons, but we can see how the image is propped up by another field, that of thought, of the Logos. In this sense, filmmakers are not necessarily philosophers but the cinema pays a lot of attention to what philosopher are doing, but also to what poets create. It's in that sense that cinema is a powerful form of experimentation, it's an art which grasps the relation that one has with the world, with things, with the being – there of the world, the cinema puts you face-to-face with ontological dimension of the world, when you're face-to-face with mountains, or flowers, face, a forest, a lake – in this attitude, this face-to-face, our fragility and our destiny is measure, at the same time as the strength of out…
