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    底片上的女人 The Woman on the Beach (1947)

    最近更新: 2023-01-04 高清

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    • 6.5/10
    • 让·雷诺阿 1947 海滩上的女人
    • Huh??
    • 阴魂不散的二战梦魇下,彼此相惜的三个落难之人,每每骤起的配乐像是从压抑中挣脱的激情。被伤痛和失去所困扰却又放不下劫后余存,对象征安全感的婚姻或慌不及待,或畏而不决,对隐喻风险的爱情则犹疑无力,宁牺牲而不敢争取。最终,恰是最为人恐惧的烈火将海浪无法击碎的记忆枷锁付之一炬。
    • 6。雷诺阿不断的拍海浪,可我还是没看到演员内心的波动
    • ah,la folle!
    • @ HKAC Cinefan 2019 九/十月节目 | 画质欠佳,安排Scott有PTSD到底有什么意义?他最后执迷不悟选Peggy也不太有说服力(没有让Peggy纯为钱财杀掉丈夫已经害挺温和)
    • 女主如果选得更魅点,可能会更好些
    • 又是一部关于possessive love的电影。有时候真的搞不太懂老片里的价值观或是人物的行动动机,不过结尾很棒:“You can drive me to New York and then you can do whatever you please.” 有时候学会let go真的很不容易。
    • 啥 只有情绪没有故事 像希区柯克的悬疑又没有希区柯克那么抓人
    • 让雷诺阿原来是那位画家的次子啊……看的第一部他的片子,觉得这片的摄影和美工还是很好的,给人一种很玄妙的感觉。但故事处理的有点虎头蛇尾,过于仓促的收尾了。
    • +
    • 缺少铺陈,很难进入人物的内心。欲望如翻滚的海浪夹带着泡沫。
    • 用电影实现诗情画意不容易啊
    • 3.5
    • 让雷诺阿在好莱坞拍摄的最后一部电影,表达上加入了法式的浪漫化处理和美式的悬疑风格,并且取得了很好的平衡,海军中尉一开始纠缠的噩梦就像预示着他命中注定有佩吉一劫,两个孤独的人相遇在海滩并且相爱,却又因枕边人的纠缠最后注定难以在一起,一边是巴特勒对佩吉的强烈控制欲,另一边则是背叛未婚妻的道德困扰,让雷诺阿在这部电影中对爱之束缚的阐释已经超越了很多后世之作。
    • 故事有點怪怪的
    • 还不错,就是有点松散
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    Woman on the Beach is a controversial film noir, an intense psychological drama about the world�s leading artist, recently blinded, who is obsessed with his condition and takes out his frustrations on his beautiful wife. A Coast Guard officer, recuperating from injuries suffered during the war, is drawn into their quiet conflict, and they become locked in an odd symbiotic relationship. This was the last American film by the French screen legend Jean Renoir. Critically panned when first released, the film later developed a cult following by many who consider it an existential masterpiece. A WWII Coast Guard veteran, Lt. Scott Burnett (Robert Ryan), is plagued by nightmares of his combat days. One day, he meets a woman, Peggy Butler (Joan Bennett), walking on a beach, picking up pieces of wood. Butler is married to a grumpy, blind painter, Ted Butler (Charles Bickford). Despite his affections for his fianc�e Eve (Nan Leslie), whose father is a boat builder, Scott falls in love with Peggy and soon breaks off the engagement. Peggy reveals that she blinded her husband years earlier by throwing a glass at him during an ugly spat, ruining his career and her own ambitions to be an upper-class socialite. Scott fears that Ted is suspicious that he is having an affair with Peggy and becomes so paranoid that he begins to believe that Ted is faking his blindness — and sets out to prove it. This was the fifth and final American film by the great French writer-director Jean Renoir.

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